"Projection and visual reproduction are also central to Debra Pearlman's installations. Of the artist's three works in the exhibition, the best is Sleep (1990), a sandblasted image in glass set into a tabletop placed above a mound of sand. When light is shined through the glass, the shadow of two children appears on the sand. It is a subtle, clever work."

  —Benjamin Genocchio, "Luminous Image"
   New York Times, December 28, 2003